The Asian Civilisations Museum is launching a new introductory display. The Ancient Religions Gallery will trace the spread of religions from India to China, Sri Lanka, and Southeast Asia. A thousand years of sculpture will show the change in art from early cults to international forms of Hinduism and Buddhism. The displays demonstrate how the cultures of Gandhara, Kushan, Tang China, and Srivijaya gave new expression to these systems of belief.
Housed in the former Supreme Court building, the UOB Southeast Asia Gallery presents an exhibition on the art of Southeast Asia through shared artistic impulses across the region.
Starting in the 19th century, the history of Southeast Asian art is characterised by a continuous encounter with the new, inseparably linked to the region’s tumultuous social and political history.
The meaning and expression of art was constantly negotiated as artists of Southeast Asia sought to incorporate and reinvent local expressions and aesthetic traditions as they grappled with modernity.
The curatorial narrative explores four main themes places in a broadly chronological sequence, each one critically examining the shared artistic impulse of the region for each period: 'Authority and Anxiety', 'Imagining Country and Self', 'Manifesting the Nation', and 'Re:Defining Art'.
Belonging to a Singaporean collector, the private museum showcases an extensive collection of vintage toys, including rare and unique one-of-a-kind pieces from the mid-19th century to mid-20th Century.
The collection, one of the finest in the world and is valued at over S$5 million. More than half of the collection was found in Singapore and can be regarded as part of Singapore's heritage.
Lee Kong Chian Natural History Museum (LKCNHM) located at the Kent Ridge campus of the National University of Singapore, is proud to present Singapore’s first and only permanent natural history exhibition, showcasing centuries-old exhibits which includes South-east Asian specimens and near-complete fossils of three giant dinosaurs.
Get entangled in the enchanting story of a pig named Wilbur and his friendship with a barn spider named Charlotte. To avoid Wilbur being sent to the butcher, Charlotte proves to be a true friend by coming to his rescue. Come watch how Charlotte uses her web-spinning skills to weave messages that praise Wilbur, making him a celebrated pig treasured by the farmer and his family.
The Lee Kong Chian Gallery of Chinese art will reopen after renovation in January 2015, with a new feature in the gallery: a long-awaited area for the permanent display of the Chinese paintings and calligraphies in the NUS Museum’s Chinese collection.
The Chinese ink works in the Museum’s collection comprise mostly works from the Qing dynasty period (1644-1911), but there are a couple of exceptional handscrolls from the Ming Dynasty period.
Using works from the Qing Dynasty as a starting point to introduce viewers to the general history of Chinese ink traditions, the permanent display is conceived to go hand in hand with the Scroll and Paper Study Room in the new Resource Gallery on the top level of the Museum, catering to both visitors with a love of Chinese art, and to researchers and scholars with more specialist interest.
Along with the more classical ink works are also displayed examples of modern Chinese ink work movements, and paintings made by Singapore and Malaysian artists, from the Nanyang Style to the contemporary.
The Lee Kong Chian gallery features the Chinese Art Collection and Export Ceramics from the Lee Kong Chian Museum. The permanent display is supplemented by ceramics from from the South and Southeast Asian Collections and the archaeological collection of Dr John Miksic. These exhibits are complemented by temporary exhibitions, conceived to engage the permanent collection critically.
The Chinese Art collection consists of bronzes, ceramics and paintings, gathered to represent the expansive history of Chinese art. The nucleus of this collection was established and developed at the Nanyang University in the 1970s with significant expansion in the 1980s under the newly inaugurated National University of Singapore (NUS).
This permanent display of Chinese Art focuses on Chinese ceramics and its development, categorising objects in relation to centres of productions and periods. A selection from the collection is featured in Collecting Histories, presented within the main gallery in open-storage format alongside ceramics collected by the then University of Malaya and University of Singapore. Collecting Histories comprises Southeast Asian and Chinese ceramics sourced from the region and mostly acquired between 1955 and 1973 - a period significant in the development of Southeast Asian art and ceramics as a field of study - led by the scholarship and research of the successive curators of the University of Malaya Art Museum, Michael Sullivan (1955-1960) and William Willetts (1963-1973). The third permanent component to the gallery is the Sherd Library, which presents a selection of archaeological materials from the collection of Dr. John Miksic, a living accumulation of an archive developed through his extensive work across the region since the late 1970s.
W!LD RICE brings the Year of the Monkey to a happy climax with its 13th holiday musical extravaganza for the whole family! Winner of 'Production of the Year' at the 2015 Straits Times Life Theatre Awards, Monkey Goes West is an affectionate and cheeky retelling of the beloved Chinese fantasy classic. Join this epic thrill ride that will take you from Haw Par Villa to Jurong West – by way of a colourful world filled with mythical monsters and naughty fairies!
A gift from Ms Agnes Tan to the National University of Singapore, the Baba House was officially opened in September 2008.
Once the ancestral home of a Straits Chinese family, it is conceived as a heritage house which facilitates appreciation, reflection and research into the Straits Chinese history and culture.
This is articulated primarily through the reconstruction of a domestic space characterised by the architectural conservation of the shophouse, and restoration of interiors including furnishing, household materials and decorative features
Today, the first and second floors reference the community's material culture during the first half of the 20th century.
The third floor of the Baba House hosts temporary exhibitions, encouraging academic researchers and art practitioners to explore fresh perspectivesinto an evolving discourse on the Straits Chinese, and to develop insights into cultural encounters, hybridity and their contemporary implications.
Visits to NUS Baba House, are strictly by appointment and visitors are required to sign up in advance for a heritage tour. firstname.lastname@example.org
Monday, 2pm – 3pm
Tuesday, 6.30pm – 7.30pm
Thursday, 10am – 11am
Saturday, 11am – 12pm
Great Peranakans celebrates the achievements of 50 men and women who have shaped Singaporean life and culture over the past two centuries. These pioneers made important contributions in art, culture, education, business, governance, and public service. Collectively, their stories and the more than 100 objects from their lives invite greater contemplation of evolving Peranakan and Singaporean identities.