- RatedNC16 /GenreBiography, Drama
- LanguageEnglishIn CinemasJan 04 2018
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The tagline to the recent Justice League film was ‘all in’ — that film has nothing to do with Poker, but ‘assemble’ was taken. This biopic is about someone who could be considered the Wonder Woman of high-stakes Poker.
Molly Bloom (Jessica Chastain) has had a rough go of it. Growing up in Colorado under the tutelage of her father Larry (Kevin Costner), she has long harboured dreams of becoming a professional skier. Molly overcame a spinal injury in her childhood, but a career-ending accident dashed those dreams.
Needing to reinvent herself, Molly moves out to Los Angeles, working as a cocktail waitress and as a personal assistant for investor Dean Keith (Jeremy Strong). Dean runs a poker game out of LA’s Cobra Lounge that attracts Hollywood A-listers and business moguls, and places Molly in charge of hosting the game. Molly quickly learns the ropes, and sets up her own game, operating out of a plush penthouse suite. When she moves the game to New York, she attracts a whole new set, including Wall Street power brokers and sports stars. However, the Russian and Italian mafia soon get involved, and Molly finds herself investigated by the FBI. She hires Charlie Jaffey (Idris Elba) to represent her, telling the attorney her story.
Molly’s Game is the directorial debut of Oscar-winning screenwriter Aaron Sorkin, the scribe behind The Social Network, Moneyball, A Few Good Men and The West Wing. We know what to expect from Sorkin screenplays: every exchange of dialogue is a verbal knife fight, with quotable barbs flying in all directions. It’s easy to be dazzled by the witty verbosity, but it can also be a turn-off because Sorkin’s style can feel glib and self-satisfied.
Sorkin has found the ideal source material with which to make his directorial debut, as the true story includes elements that he’s played around with before. The protagonist is wildly ambitious and dives head-first into a glamorous, seductive, sometimes dangerous world. It’s all there in the subtitle of Bloom’s book: ‘From Hollywood's Elite to Wall Street's Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker’. It’s a fascinating true story, just add cinematic style, which Sorkin brings plenty of.
The film establishes a smart alecky tone from the outset, with Bloom going over her backstory in voiceover. There are stylistic devices including graphics on the screen that attempt to explain specific moments in the Poker games – even with the visual aids, it all flew over this reviewer’s head. Sorkin might be known for his writing, but he displays a keen awareness of how film works as a visual medium, and the movie never feels static or airless. Sorkin achieves a blend of the lurid and the cerebral that fits the material like a glove.
Chastain is spectacularly adept at playing powerful women, and she makes quite a meal of this role. It’s not dissimilar to her turn in the lobbyist drama Miss Sloane, but there’s the added physical element of Molly being a skier. Molly is sharper than a tack, and any man is putty in her hands. Chastain is mesmerising — the character wields her sexuality like a dagger, but never makes the fatal strike. She sinks her teeth into this and then some, and is wildly entertaining in the process.
Elba takes a backseat as Charlie, and the interactions between him and Molly begin as sizing each other up, before evolving into something approaching sincerity. Molly and Charlie are on the same side, but it is never an easy alliance, and Elba and Chastain engage with the material and with each other in a lively manner. Charlie is an invention of Sorkin's, and isn't based on an actual lawyer.
Molly’s Game features a veritable carousel of dopey guys whom Molly has wrapped around her little finger. They generally seem intelligent and are all successful, but when they’re in Molly’s thrall, they are rendered dopey. Chris O’Dowd is entertainingly schlubby and it’s fun to see Joe Keery, best known as Steve from Stranger Things, pop up in this – complete with famous coiffeur.
The casting of Michael Cera is a bit weird. He’s playing a Hollywood star referred to only as ‘Player X’, but the identity of Player X can be determined with a quick Google search. Cera doesn’t quite sell the competitive streak and treachery hidden behind a disarming exterior that is crucial to the role.
Costner has settled into gruff mentor roles well, and the relationship between Molly and her father has its moments, even if it ventures into cliché territory. When her father visits Molly late into the film, it’s meant to be an emotional moment and Costner does his best to sell it, but the sarcasm in the dialogue doesn’t let up, somewhat undercutting the sincerity.
Unlike many awards season biopics, Molly’s Game is not a chore to sit through. It speeds along, seducing the audience as it goes. It does feel like the work of someone who is a little too pleased with himself and it could stand to be a mite less smug, but thanks to Chastain’s confident, hypnotic turn, Molly’s Game is engrossing and entertaining.
RATING: 4 out of 5 Stars